![]() Suddenly you’ve got an element of confidence in British music. All of this is happening in this glorious period where you’re beginning to get the influence of the style magazines and Britain is slightly obsessed by Britpop, which is great because we’re kind of in the shadow of that.ĭefinitely, the music coming out of this is really significant and powerful. The art scene coming out of the graffiti, New York, post-hiphop and the beatmakers. You can talk about the beginnings of Mo’ Wax, the golden period of Talkin’ Loud, the magic of drum ’n’ bass, the growth of groups like Massive Attack and Portishead, the scene in Japan. And it was an amazing period of time for both of us in terms of where we were at as people making music or being connected to people making music at that time. So we’re talking about sort of mid-to-late 90s. It was a club that I started up with James Lavelle at the time. I mean, Shaftesbury Avenue, inside the Trocadero. In The Wire September 2019 (Issue 427), page 25, Gilles Peterson discussed his time at That's How It Is This is mislabelled as it appeared to be the release TWO YEARS, 3 MONTHS 1 WEEK AND TWELVE HOURS IN THE LIFE OF "THAT'S HOW IT IS!" which features Attica Blues, Ben Wilcox, DJ Debra, Gilles Peterson, James Lavelle, Janine Neye, and Ross Allen. is mentioned in Muzik September 1996 (p161) as featuring James Lavelle, but he was also advertised as appearing in Scotland for his Dusted North gig.Īn MP3 circulating online is labelled as 'That's how it is mix by James Lavelle(18-12-1995)'. Several recordings were released by That's How It Is, including "That's How It Is" - One Year On taken from a Septemset. Novemwas That's How It Is' Fifth Birthday, and on Novemthe Sixth Birthday served as a reunion with James Lavelle returning to DJ on the night. Notable nights include Novemwhen DJ Shadow made a guest appearance. ![]()
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